Summary: an exceptional work of history and journalism, exploring in careful detail the tragedies and atrocities borne and perpetrated by ordinary people in war
On the morning of 22 April 1978 the IRA assassinated Millar McAllister, a police photographer, in front of his young son. The trigger man, Harry Murray, was one of the IRA’s few Protestant volunteers. A former member of the RAF, Murray had been embittered against the Loyalist community when it had driven him out of his own home early in the Troubles for the offence of marrying a Catholic.
Of course Murray did not act alone. In Anatomy of a Killing, Ian Cobain presents a horribly gripping account of the operation. He examines the various roles of those involved, and also explores the motivations and rationales for their choices, and the strategies, arising in part from history, of both the British and the IRA which led to their actions.
In Cobain’s account the IRA’s adoption of the tactic of “close quarters assassinations” was in response to the revulsion caused by the burning to death of 10 civilians on an evening out at La Mon House hotel. This atrocity was directly facilitated by spectacular incompetence in issuing a warning by the IRA unit who planted the blast-incendiary devices on the hotel’s dining room. But this sort of bloodshed was almost an inevitable outcome of the campaign of “economic warfare” which the IRA in their dubious strategic wisdom had fixed upon.
So rather than risk the bad publicity that outrages such as La Mon provoked, the IRA leadership decided that it was a more moral course to focus on members of the state forces. McAllister was mistakenly believed to be a special branch detective, so this, combined with the opportunity of carrying out an attack in the garrison town of Lisburn led to him being targeted.
Of course the idea that such a killing would have any influence upon establishing a more just British policy in the North was as deluded as the idea that “economic warfare”, the destruction of Northern Irish businesses, would shift British thinking.
The Northern Ireland Secretary at the time, Roy Mason, was a rancid anti-Irish bigot, bone-headedly enamoured with tough talk and aggressive military action. Callaghan’s Labour government, as so often with British Labour misjudging the imperative moral issues of the day, was preoccupied by Britain’s economic travails, rather than any effort to create a just and lasting peace in Ireland.
In other words, both Callaghan and Mason displayed a similar contempt for Irish peace as Stanley Johnson, the father of “Boris”, who in a 2018 interview dismissed the risks to Ireland posed by Brexit: “the Irish will shoot each other if they want.”
Hence Callaghan and Mason were promoters of “Ulsterisation”, the policy that the brunt of security responsibility in the North of Ireland should fall to people from there. People like Millar McAllister, rather than to English, Scottish or Welsh soldiers whose lives Callaghan and Mason valued more highly. Hundreds more ordinary people died as pointlessly as McAllister did until John Hume and others managed to organise a flawed but vital peace process – something that might no longer exist if the European Union had not stopped Stanley’s supercilious son from completely vandalising it.
Anatomy of a Killing is an extraordinary work, informed by careful research, interviews with the, usually unrepentant, perpetrators, and a proper understanding of the pity of war. It weaves together discussions of both state and paramilitary “high” strategy with unflinching descriptions of its squalid and tragic consequences. It is one of the finest books yet written on the Troubles, and is a vital contribution to writing on the histories of Ireland and Britain at this bleak moment in our shared history.