Goodbye to All That, by Robert Graves;  The Great War, by Peter Hart; Catastrophe: Europe goes to war 1914, by Max Hastings;  and The Peacemakers, by Margaret Macmillan

Summary: Diverse, highly readable perspectives on the First World War

Like many of my generation, my introduction to the First World War was at school, studying the sublime poetry of Wilfred Owen. Owen’s writings along with others such as Siegfried Sassoon and Robert Graves, did much to promote the “lions led by donkeys” view of that war. 

This is a perspective on the war that Peter Hart takes considerable exception to. A key theme of his fine narrative history of that war, similar to Hew Strachan, is that the allied generals have been unfairly maligned, made scapegoats by civilian leaders who bore more responsibility for the carnage.

The generals of the Western Front were, he argues, by and large, diligent soldiers, trying to learn the best way to fight an industrial war. This is something that their prior experiences, helping their colonial empires steal other people’s countries and butchering anyone who objected, had not properly prepared them for. 

Better than Strachan, Hart illustrates well the impact of the generals’ decisions on the front line troops of all armies. He quotes extensively from the letters and diaries of the combatants to give a truer sense of their experiences, including of the vicious fighting. This makes it hard to sympathise with Hart’s  broader argument that the generals were doing their best. 

The industrialised trench warfare of the First World War was not quite unprecedented: the Union’s final campaign against Richmond under Grant previewed the sort of warfare that would come to define the Western Front. Grant had realised that an attritional campaign would bleed the South to such an extent that even if he lost every battle the Union would win the war. 

With no extant tactics to breach the fortified lines in a way that would have meaningful strategic impact on the course of the war, the opposing sides settled into a similar war of attrition. This led to regular battles that hoped to inflict such a butcher’s bill on the other side as to make it difficult for them to continue.

Other pressures, not least that of coalition warfare, also demanded action, irrespective of how inadvisable. That is how the British came to attack fortified German positions on the Somme in 1916 – to provide some “relief” to the French under German attack at Verdun. On the first day of the Battle of the Somme the British Army suffered 57,470 casualties, including 19,240 deaths. That still does not seem to me a reasonable price for generals learning on-the-job or offering moral support to an ally. 

By way of contrast, during the Second World War Matthew Ridgeway, an American Airborne general risked his entire career by refusing to lead his troops on what he believed would be a suicidal assault on Rome. This would have entailed dropping his lightly armed forces in the midst of two German heavy divisions.

I suspect most of the allied troops on the frontline of the First World War, such as Owen, Sassoon and Graves, would have happily swapped their “diligent” generals for a few with a fraction of Ridgeway’s moral courage. 

Graves was almost killed in a later stage of the Somme battle. It is striking that in Goodbye to All That, his engaging account of his wartime experiences, he never describes killing anyone, though he hints that he did. The closest he comes is describing a sniping opportunity to kill a bathing German. Graves writes that he could not bring himself to press the trigger on the naked man, so he assigned the task to a subordinate instead.

Graves clearly carried the war with him for decades after. The guilt and trauma of it infuses his account of the Greek Myths, for example.

Given the horror of the war, it is understandable that we all should look for who to blame. This is among the tasks that Max Hastings undertakes in his typically gripping account of the outbreak of the war. Hastings is at pains to point out that Germany more than any other nation was the one that could have put a stop to the descent into cataclysm. Hence in Hastings’ view this is the country that should bear most of the blame. Hart has a similar perspective, noting that Germany believed that as war was inevitable the sooner it began the better it suited them. 

In this Hastings and Hart offer somewhat different perspectives to Christopher Clark’s exceptional book on the same subject, The Sleepwalkers. This lays considerably more of the blame on Serbia, Britain and France’s ally. Margaret Macmillan, whose book, The War that Ended Peace, also explored the dangerous, dizzying array of alliances and egos that shepherded Europe to war. Both these accounts suggest there is plenty more blame to go around all combatant nations. 

With The Peacemakers Macmillan explores the end of the war, specifically the Paris Peace conference that led to the Versailles Settlement. This established much of the contemporary political shape of Europe. Alongside the “Great Power” politics of the Conference, Macmillen’s book is also the story of how the peoples of, in particular, central and eastern Europe shook off the rule of the Great Powers whose blundering had dragged them into catastrophic war. 

But the Versailles settlement also sowed the seeds of future war in Europe, by assigning all the guilt for the war to Germany. This ignored the role of, in particular, Serbia in starting things. It also ignored the fact that the Germany that came to Paris was a different country to the one at the start of the war. Not fundamentally different, of course: as German history since 1919 has shown it a country that has never quite lost its relish for atrocity. But by 1919 it had been through a democratic revolution that was economically crippled by the demand for reparations from the victorious powers. This created the political conditions for the Nazis to emerge. 

In granting to Britain the Palestine mandate the Versailles Settlement also paved the way for a new settler-colonial entity there, and for the Zionist genocide of the indigenous people that, with shameless US, German and British support, continues to this day. 

The First World War remains an example of, as William Faulkner once wrote, the past not even being past. Its dark legacy is a bloody one in the present for millions of defenceless human beings.

So, perhaps Wilfred Owen remains still the most vital voice on the First World War, understanding from that one war the pity of all war, and encouraging a level of empathy for the victims of war that no discussions of causality, strategy or blame ever can.

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