The Sleepwalkers: how Europe went to war in 1914, by Christopher Clark

Summary: So… it was everyone’s fault… but mostly Serbia.

The historian AJP Taylor in his celebrated BBC lectures, How Wars Begin, stated that everyone knows why the Second World War began, but not when, and everyone knows when the First World War began, but not why.

The Sleepwalkers, Christopher Clark’s detailed examination of the origins of the First World War clears up some of that “why” question, but not in any simple way. He describes an interconnected system of “great” European powers – and Serbia – who all took for granted their right to interfere in the affairs of other nations and which developed enormously complex systems of alliances and interests to allow them to do so.

Bizarre imperial attitudes to other countries were not the only strange notions to infest the chancelleries of Europe pre-1914. Many of the denizens of these corridors of power talked seriously of the idea of “preventative war”, which remains, to put it crudely, as much a contradiction in terms as the idea of fucking for virginity.

Hence at the outset of the 20th Century, Europe represented not so much a house of cards destined to collapse sooner rather than later, but a tangle of explosive devices being randomly hit with hammers by supercilious poshos with Napoleonic delusions.

The spark that finally triggered to conflagration was, of course, the assassination of Archduke Franz Ferdinand and his wife, Sophie, in Sarajevo, by the young Serbian nationalist Gavrilo Principe. This was done at the behest of elements in the Serbian government which feared Franz Ferdinand’s intent to increase Slavic representation in the Austro-Hungarian empire. This, Belgrade felt, threatened their dream of a greater Serbia. Franz Ferdinand’s assassination also removed one of the most pacific members of the Austro-Hungarian government and made their impetus towards a war of vengeance all the more assured. From the rubble, of course, Yugoslavia was fashioned, so maybe some Serbs felt the price was worth paying. And didn’t that turn out well.

Some of the dangerously fanciful notions that sparked the cataclysm may have dissipated from Europe, particularly since the rise of the European Union, which was fashioned to make war “not only unthinkable but materially impossible.” However, Clark notes that other dangerous impulses are still at play. Referencing the Euro crisis of 2009/10, Clark describes how, just as in 1914, some countries were prepared in negotiations to use the risk of catastrophic failure for all to advance local interests for some. Similar short-term, selfish interests threaten progress on the climate crisis, which may yet dwarf the carnage of the First World War.

So, a bleak book, but an engaging and thought provoking one, snappily written and frequently gripping.

In search of the Dark Ages, by Michael Wood

Summary: a fine introduction to pre-Norman English history

Over the past 40 years Michael Wood has become known for his highly engaging television documentaries. Some of the books that this has prompted, such as The Story of India, are essentially travel books. Others, such as In Search of Shakespeare, are much more substantial affairs.

Fortunately, In Search of the Dark Ages falls into the latter category. It is a fine history of England from the departure of the Roman Legions to the Norman conquest. Along the way Wood throws out a range of interesting observations and asides, including a judgement that, based on what he wrote in his Confessions, St Patrick was probably from Carlisle.

In the latest edition of this book, Wood has added material on hitherto neglected figures and issues, including Aethelflaed (Millie Brady’s character in the Last Kingdom), who Wood judges to be comparable to her father Alfred in the making of a country called England, and Theodore of Tarsus and Hadrian the African who together established a school teaching the classics in Canterbury during the 7th Century. Just as is the case today, women and immigrants have contributed more to English society than many would like to acknowledge.

Overall then, a fine and entertaining work of English history before William the Bastard showed up in 1066 and helped make stealing other people’s countries the defining trait of the country he stole himself.

Five Decembers, by James Kestrel

Summary: a surprising and compelling crime story to the backdrop of WW2 in the Pacific.

The gloriously lurid, pulp-fiction style cover of Five Decembers suggests it’s going to be one thing: American hard-boiled crime a la Mickey Spillane. There is an element of this: Detective Joe McGrady of the Honolulu Police gets a call to investigate a particularly sadistic double murder in November 1941.

McGrady, however, is something a bit different from your typical Shamus. An ex-Army officer, with a romantic streak, and a history of personal tragedy, who remains intellectually curious having taken the time to learn a bit of Mandarin and appreciate Asian culture in the course of his career. So, by the time we meet him sipping whiskey in a late night bar, it turns out he is markedly nicer than one might have expected on picking up this book. Indeed, most of the characters are a lot nicer than you might expect, generally treating each other with at least professional courtesy, if not genuine affection.

This is important as McGrady is among a small group of characters in the book whose fate the reader can actually care about as his protracted investigation, and personal travails, stretch across the wretched years of war.

The book takes more than one unexpected turn. Not the least of these is its echo of Slaughterhouse Five with a description of the murderous firebombing of Tokyo – something that one of its planners, future Defence Secretary Robert McNamara, even acknowledged was a war crime – and its chilling aftermath.

So, Five Decembers is a surprising novel: not only a fine procedural, but also a thoughtful rumination on the pity of war. It is all the more remarkable and satisfying as a result.

The Secret Hours, by Mick Herron

Summary: 1990s Spook Straße, Berlin: Moscow Rules very much apply

While not quite a Slough House book as readers have come to know them, The Secret Hours is something of a prequel. It tells the story of a questionable British operation in 90s Berlin undertaken by an experienced British intelligence officer known as “Myles”. Readers of the Slough House series will understand the importance of the detail that this particular officer is known to fart a lot.

The story of this operation is told in flashback to an enquiry into malpractices by the intelligence services. Naturally, of course, the ancient history related to this operation has its repercussions in the present. Just because some people are dead, does not mean the past is. As the story evolves, it becomes plain, as Faulkner well understood, that it is not even past.

To say too much more risks exposing some of the deeply satisfying plot twists and narrative sleights of hands that Herron employs in this book. Suffice to say, it is a glorious addition to the Slough House universe and one of the best, to date, in the series.