A Thread of Violence, by Mark O’Connell

Summary: I would be more forgiving of this book if there had been more about Bridie and Donal in it.

I worked with a lot of Irish nurses in Ethiopia and Angola. They were a tough, sexy bunch, ruthlessly professional and deeply committed to social justice. (The character of Sophia in my novels The Undiscovered Country and Some Service to the State was modeled in no small part on some of them.)

As a professional group, certainly as an Irish professional group, they have probably done more than any others to make the world a better place. 

I imagine Bridie Gargan must have been quite like them. A 27 year old in 1982 she was already making the world a better place working as a nurse. Having just finished a long shift one day she decided to reward herself on her way home with a spot of sunbathing in Dublin’s Phoenix Park. It was there she had the misfortune of encountering Malcolm Macarthur, who proceeded to beat her to death with a hammer. 

After Bridie, Macarthur went on to kill Donal Dunne, a farmer, with his own shotgun. It seems that these killings were part of a half-baked plan that he had to commit an armed robbery to replenish his finances after he had squandered an inheritance. Macarthur was such a wastrel that he simply could not contemplate working for a living. 

Having finished it, I am left with very mixed feelings about A Thread of Violence, Mark O’Connell’s account of a protracted series of meetings that he had with Macarthur following his release on licence for the murders of Bridie and Donal. O’Connell had set himself the task of trying to get to the bottom of what motivated Macarthur to such grotesque violence. 

It is a beautifully written book, and it is important, I believe, to try to understand violence to better prevent it. But in the end O’Connell adds little illumination to these dreadful events and he admits that he never did get to the bottom of the question of motivation. 

So, what justifies this literary treatment of Macarthur, a worthless man who has led a worse than worthless life? I am left feeling not much, particularly as O’Connell writes so little about Bridie and Donal who barely feature in this book other than as victims. O’Connell missed the opportunity, in my view, to show how these much more consequential people deserve more attention than their self-important killer.

I can understand how O’Connell, as a working writer doubtless with a contract to fulfil, must have felt he had to write something in spite of his admitted failure to achieve his aim. But I am sad to say that I do not think this book adds much to human understanding. 

The Voyage Home, by Pat Barker

Summary: a fine novel of Cassandra that suffers in comparison with Barker’s initial foray into the stories of Troy

The Voyage Home continues Pat Barker’s feminist retelling of the tales of Troy, following the return of Agamemnon to Mycenae with the enslaved Cassandra in tow. This guarantees that the reunion with his wife Clytemnestra is going to be awkward. Just how awkward Agamemnon, even if he was a cleverer man, could not imagine.

But Cassandra, gifted with prophesy, but cursed that no one ever believes her, knows. In the bloodshed that she foresees she also discerns some measure of justice for the genocide that the Greeks have inflicted on her homeland. 

For this story, Barker replaces Briseis, the narrator of her previous Trojan books, with Ritsa, Cassandra’s maid: slave to a slave, or, as she describes her lowest of the low status, a “catch-fart.” 

The Voyage Home dealing with the beginning of the Oresteia, is, I think, a considerably better book than its predecessor, The Women of Troy. But neither of these books say much additional thematically to the stunning originator of this series, The Silence of the Girls.

Still, it is elegantly written, and Barker’s continuing focus on how war affects civilians and the sexual violence endured by women is important. In addition, Cassandra is always a compelling figure, and Ritsa is a fine creation. 

Spent Light, by Lara Pawson

Summary: “It’s quite hard to describe really. To begin with, it’s about a toaster, but it ends up being about everything,” the Kirkdale Bookshop on Spent Light.

When, about 20 years ago, I first introduced my father to the televisual masterpiece that is The Wire, his stunned reaction to the first episode was, “I have never seen anything like that before.”

This memory came back to me, more than once, reading Lara Pawson’s extraordinary book, Spent Light, because I quite simply have never read anything like this before. 

From time to time it seemed to me almost like some other  things: Maybe the notebooks portions of Bruce Chatwin’s The Songlines? Or some of the (allegedly) imaginative passages in Anje Krog’s Country of My Skull? But in the end it is very much its own thing – intimate, funny, at times uncomfortable, occasionally horrific, wholly original. 

It is writing that has the intensity of poetry. And so perhaps the best way to describe Spent Light is as a series of linked autobiographical prose poems, starting with a toaster but in the end being about the whole world, as the Kirkdale Bookshop put it with such brilliant concision. Along the way, Lara touches upon love, war, squirrels, atrocities, and the joys of a good broom. 

I’ve known Lara since Angola where she was a journalist during that country’s brutal civil war. So, perhaps the only unsurprising thing about this book is that it is unsurprising that she wrote it. It is a work of genius. It should become recognised as a modern classic.