Life so far

On turning 60, I thought I should take stock to ponder if have spent my years usefully.

So what have I actually achieved?

Tick tock
  1. I started my professional career working for a couple of years organising hand dug wells for water, and check dams for soil conservation, in rural Ethiopia and Eritrea.
  2. Then I designed a piped water system for a quarter of a million war-displaced people outside Jalalabad in Afghanistan.
  3. After pushing papers in Oxford for a year or so I led a water, sanitation and public health programme for a quarter of a million war-displaced people in the besieged cities of the Angolan interior for the best part of five years.
  4. During that time I caught a sailfish off the coast of Angola. Tagged and released it.
  5. After Angola I learned to dive.
  6. Then I earned a PhD.
  7. I was appointed director of Anti-Slavery in 2006 and immediately had to organise its financial turnaround.
  8. I successfully advocated for making slavery eradication a post-2015 development goal.
  9. I found a woman who’d put up with me.
  10. I contributed to the introduction of a new statute in British law proscribing forced labour.
  11. I ran a marathon, very slowly.
  12. I helped expose slavery in the manufacture of garments for Western high street brands.
  13. I won Mastermind with the specialist subjects Michael Collins, the novels of Dennis Lehane, and Abraham Lincoln.
  14. I helped develop the jurisprudence around “abuse of a position of vulnerability” as a means of trafficking in the case of Chowdury et al v Greece at the European Court of Human Rights.
  15. I helped obtain inclusion of victim protection and supply chain transparency measures in the UK Modern Slavery Act (2015).
  16. I achieved recognition of forced marriage as slavery in the International Labour Organization’s 2017 estimates of global slavery.
  17. I published my 1st novel – The Undiscovered Country about the investigation of a murder during the Irish war of independence.
  18. I learned how to take a better photograph.
  19. I played a key role in mainstreaming anti-slavery in a major UN migration and livelihoods programme in Myanmar.
  20. I published Ethical Leadership: moral decision-making under pressure
  21. I published my 2nd novel – Some Service to the State about the damage caused by partition on modern Ireland.
  22. I worked out how to end slavery. Wrote it down in a book chapter called “Justice against Power: Marshalling a credible response to slavery eradication.”
  23. I’ve been an expert witness in over 200 trafficking cases.
  24. I began writing a play on the life of Frederick Douglass.
  25. I’ve started writing my fourth book on the Irish peace process… which has given me the idea for another play.

I think, on reflection, I have not led a life of quiet desperation. But that doesn’t mean it’s been without crushing disappointments.

Still, once more onto the breach, once more.

21st Century Candidates for Ambrose Bierce’s Devil’s Dictionary

Summary: an evolving list

Ambrose Bierce defined politics in his Devil’s Dictionary as “The conduct of public affairs for private advantage”.

As Trump, Netanyahu and Putin continue to use this as their platonic ideal, here are a few more commonly used terms to better understand this brand of politics in the 21st Century.

Accountability — A principle once thought central to democracy, now regarded as the bad manners of social inferiors.

Betrayal — The dispatch of Caesar by his own signature methods.

Consolation — The knowledge that nits become lice.

Context — The reason a “tragic mistake” was all the enemy’s fault.

Decency — An elusive quality discovered in Caesar only after the knives have safely done their work.

Empathy — An existential threat arising from the dastardly impulses of fellow feeling and compassion.

Gullibility — A touching belief in the stories told by plutocrats.

Hypocrisy — The art of applying opposite principles with identical conviction.

Human moment — A politician’s self-pity.

Human rights — Rights universally acknowledged until someone inconvenient claims them.

Investigation — A process for discovering that a “tragic mistake” was unavoidable.

Realpolitik — A posh name for complicity in atrocities

Responsibility — An elusive quality, once thought central to professionalism, now applied only to those without sufficient privilege.

Rule of Law — An antiquated idea, dating back to Aristotle and Sophocles’ play about that loser Oedipus, that even important people should be accountable.

Self-defence — Violence committed by ourselves.

Special relationship — How vassals describe their vassalage.

Terrorism — Violence committed by the enemy.

Tragic mistake — Violence committed by ourselves against civilians after we got caught.

Wealth — The safest substitute for wisdom and expertise in policy discussions.

Wisdom — The consolation losers derive from losing. Of obsolete utility because of wealth.

    Mikaeil Mirdoraghi on his way to be killed

    The careless application of high explosives: reflections in the shadow of the unlawful US-Israel assault on Iran

    Summary: The myth that violence solves problems persists despite history often proving the opposite.

    At the end of John Steinbeck’s Of Mice and Men, George shoots his friend Lennie. Lennie, a well-meaning but simple-minded man, does not understand his own strength or the fragility of others. So, he has accidentally killed a young woman, and George knows that if the mob reaches him first Lennie will be tortured before he dies. 

    Steinbeck understood something that popular culture often forgets: violence rarely solves anything cleanly. Yet in cinema it frequently does. From Westerns to modern action films, societies’ problems are tidily resolved by lethal force.

    Wyatt Earp invariably sorts out his society’s ills by use of his six-guns. James Bond’s liquidation of supervillains always makes the world a better place. 

    The satisfactory resolution of daunting problems through the use of violence is so commonplace a trope in cinema that it is perhaps now as deeply embedded a cultural idea in the West as that of Santa, and the Easter Bunny. However, unlike these last two myths, some adults seem to continue to believe it. 

    Put another way, in spite of the vast historical evidence to the contrary, they believe that the most complex of geo-political problems can be solved, as Eddie Izzard’s character says in the movie Valkyrie, “with the careful application of high explosives.”

    Anyone who has any experience of actual war will attest that the matter is much less clear-cut. Violence tends to be the bluntest instrument in problem solving, often ineffective and opening as many new problems as it was meant to resolve. 

    As Shakespeare warned, in war the dogs are let slip. The ensuing carnage leads to the ties that bind society being sundered, civilians being slaughtered in even the most “surgical” of military strikes, and the infrastructure of daily life being decimated. 

    There may be diverse reasons that people celebrate the unlawful 2026 US-Israeli assaults on Iran and studiously ignore the piles of children’s corpses that have resulted. What those celebrating have in common is a lack of empathy with the innocent falling under the weight of metal, and a lack of imagination about what will transpire. In particular, they fail to conceive of the legacy of bitterness that will result. 

    Violence rarely ends a conflict. More often it plants the seeds of the next one. As James Baldwin noted, “The perpetrator always forgets; the victim never does.” Societies that know little history never learn this truth. That has long been true of much of England. It is also true now of the United States. 

    Anyone who watched the Tucker Carlson interview with US Senator Ted Cruz will have been struck that US foreign policy is being made now by the spectacularly ignorant. Cruz did not even know the population of a country he thought the US should invade. 

    Such people are malicious contemporary equivalents of Steinbeck’s Lenny – simple-mindedly disdainful of complexity, absent of empathy, and contemptuous of those who are fragile before their military strength. 

    The world is currently in the hands of such dangerous buffoons, people who treat violence as a solution and assume they will never face consequences for the murderous destruction they unleash. 

    Even Steinbeck would be at a loss to find a neat narrative resolution to deliver us from their evil. 

    Glorious Exploits, by Ferdia Lennon

    Summary: Theatre in a theatre of brutal war.

    Glorious Exploits is something of a literary first cousin to Michael Hughes’ superb Country, a retelling of the Iliad transposed to the mountains of South Armagh during the Troubles

    Like Hughes, Lennon tells his story of the ancient world in an Irish vernacular – Dublish, in this instance – and the result is a comparable dark magic that brings to unsettling life a barbarous moment from humanity’s bleak history. 

    In the aftermath of the collapse of the Athenian invasion of Sicily two literature loving Syracuse potters, Lampo, the narrator, and his childhood pal, Gelon, take to visiting the prisoners, exchanging food for snatches of Euripides. After a while Gelon has the idea of staging a full production of Euripides’ masterpieces Medea, and his new play, The Trojan Women, with the doomed Athenian prisoners in the quarry where they are quartered. 

    Though his motives are never fully explained, one gets the sense that Gelon hopes to provoke an empathy for the prisoners similar to that Euripides encourages his audiences to feel for his tragic protagonists. This, perhaps, might save both some prisoners and a threatened portion of Syracuse’s soul as it hovers on the edge of a monumental war crime.  

    The story is based on a true episode in the ghastly Peloponnesian War, and Lennon’s imaginative exploration of it in turn seeks to provoke in the reader an empathy for the long-dead, and help understanding that war’s pities are a constant in human history.  

    Glorious Exploits is a wonderful book. 

    Vietnam (mostly) street photography

    Summary: “In a country where they turn back time/ You go strolling through the crowd like Peter Lorre/ Contemplating a crime

    Tranquil Books, Hanoi
    Lunar new year’s best, Hoan Kiem lake, Hanoi
    Dressed for Tet, Hoan Kiem lake,Hanoi
    Street vendor, Hanoi
    Having the craic, Hanoi
    Making the Banh Mi baps
    Tea time, Hanoi
    In thought, Hue
    Traces of battle, imperial palace, Hue
    From a gate of the imperial palace, Hue
    An Cu Lagoon
    Hoi An, Old Town
    Lanterns, Hoi An
    Hoi An waterfront
    From the ashes, Hoi An.
    Boat lantern, Hoi An
    Facing the rising sun, Phu Quoc
    The clean-up crew, Phu Quoc
    Saigon
    Cu Chi
    Cu Chi
    Cu Chi
    Saigon

    The August Uprising, 1924: The Georgian Anti-Soviet Revolt and the Birth of Democratic Socialism, by Eric Lee

    Summary: an account of how an abortive insurrection in Georgia irrevocably split the Left

    There is an anecdote in Cyril Cusack’s short book, The Humour is on Me, about a TV cameraman filming pro-British, loyalist, rioting in Belfast during the 1970s. The unfortunate journalist was set upon by a woman armed with an umbrella, offended by the fact that he was “filming things that were not actually happening.”

    Similar attitudes have surfaced in other wars and conflicts before and since, including the Bolshevik onslaught on Georgia, the subject of Eric Lee’s The August Uprising. This fine book recounts the doomed 1924 revolt against Soviet rule and the moral choices it exposed, which ultimately divided the socialist movement itself.

    Lee shows how those habits of denial, later seen on the streets of Belfast, flourished among Stalin’s defenders. He records some particularly shameful examples of propaganda from apologists for whom partisan loyalty mattered more than facts, decency, or human life.

    Lee’s book follows the chronology of Georgian history, roughly from the outset of the Bolshevik revolution in Russia, through the overthrow of the government of Georgia in 1921 to the bloody crushing of Georgian independence efforts in 1924. In describing the machinations of the Bolsheviks, Lee shows that the brute force used by Stalin and his associates in suppressing Georgian independence prefigured later atrocities, including Stalin’s murderous assault on the Russian people, the Holodomor in Ukraine, and the massacre of Polish officers at Katyn.

    What makes Lee’s account compelling is not simply its chronicling of another crushed national movement, but its portrayal of a deeper struggle, between democratic socialism and the totalitarian impulses that would consume it.

    While the facts on the ground created by battles, torture chambers and execution grounds may have been decisive in establishing the nature of many Eastern European societies, the ideas that diverse leaders used to justify such violence were also of vital importance to many. 

    Trotsky, writing an introduction to one such work, noted it was composed “in the car of a military train and amid the flames of civil war.” One suspects that, as commander of the Red Army, he might have had more urgent matters than writing a work of political philosophy. But perhaps reassuring himself of his righteousness helped him sleep at night.

    Stalin, of course, needed no such soporifics, and his own writing may have amounted to little more than execution lists. Yet, even as the corpses mounted he still had enough useful idiots, including on one occasion a delegation from the British TUC, to obey and reassert the Party’s final, most essential command, as Orwell put it, to “reject the evidence of your eyes and ears.” 

    Such fantasy-island politics can endure only so long in the face of atrocity. Eventually there must be a reckoning. In Lee’s telling, the suppression of Georgia and its social democratic movement became an object lesson for the entire European Left, showing that there could be no meaningful alliance between democratic socialists and the “red fascists”, as the German communist Otto Ruhle branded the Bolsheviks. 

    That lesson has lost none of its relevance. The temptation to mistake ideology for truth, and moral certainty for moral rightness, remains as potent as ever