Summary: the gripping interwoven tales of an architect and a murderer in 1890s Chicago
The largely now forgotten World Fair in Chicago in 1892 changed the world. Amongst other things it gave us the first large scale testing of electric lighting from alternating current, a vision of how beautiful cities could be instead of the squalid, dirty things they often were, and the Ferris wheel.
Devil in the White City is a compelling account of how the Head of Works for the Fair, Frank Burnham, a Chicago architect, marshalled the resources of the city to overcome an overwhelming set of organisational, technical and bureaucratic obstacles to deliver this world changing event.
If the book were only about Burnham and the World Fair it would be a compelling, though perhaps niche interest, work. Everyone who was anyone, except Mark Twain, seems to have been involved somehow with the Fair: President Grover Cleveland opened it. Buffalo Bill Cody put on a show there attended by Susan B Anthony; Theodore Dreiser escorted a party of schoolteachers who had won their trip from his newspaper. And amidst the crush of new visitors to Chicago, a doctor and pharmacist by the name of Herman Webster Mudgett, murdered and robbed dozens of innocent men, women and children, unbeknownst to the Chicago Police Department.
Devil in the White City is a combination of social and architectural history interwoven with a tragic and horrific story of a murderer and his desperately sad, trusting victims. It is an extraordinary work quite unlike anything else I have ever read.
Postscript: It was only on reading David Blight’s outstanding biography of Frederick Douglass that I discovered the deliberate exclusion of African-American experiences from the World’s Fair and the important protests that Douglass and Ida B Welles raised in the face of this institutional racism. The absence of any discussion of this from The Devil in the White City is an astonishing lacuna from the book, and leads me to think altogether less of it.
Summary: up close to the raggedy edge of human exploration
Summary: a profoundly moving American meditation on the war in Vietnam, rightly regarded as a classic
Summary: Weather as a metaphor for war as a metaphor for weather