Hacks and Leadership

Posted on May 6, 2025 by aidanjmcquade

Summary: a not very funny rumination on a very funny tv show

Who wants to read about what the tv series Hacks has to say about leadership? Probably no one. But it has lessons on that subject area as important as those that Buffy and Angel teach on philosophy and morality. So here are a few thoughts.

If you haven’t seen Hacks yet, you are lucky. There are four seasons awaiting your delectation. However, like much writing about humour the following is not all that. Still, this is free to read. So tough.

Hacks is about the borderline unhealthy relationship between a legendary comedian, Deborah Vance (played by the legendary Jean Smart) and her new writer, Ava Daniels (the very funny and genuinely admirable Hannah Einbinder).

While the setting may be the glamourous world of showbusiness, fundamentally it is a workplace comedy. In the workplace that Deborah and Ava find themselves in by season 4 they represent archetypes of bad leadership: Deborah is imperious and ridiculously demanding, with no sense of workers’ rights and frequently forgetting that she has a duty to teach not just perform. Ava is well-meaning but so young she does not know what she does not know. In particular she has not quite grasped that her brilliance as a writer does not necessarily provide her with the knowledge and experience to be a professional leader.

If you are in any way like me, this will immediately remind you of Lavina Greacen’s book, Chink, her biography of the Irish Second World War general Eric Dorman-Smith.

Just me?

Well, a central theme of that book was that leadership is a collective task, requiring at least two people to have any chance of working.

This is something that the writers of Hacks also instinctively seem to understand. Neither Ava nor Deborah are necessarily people you would like to know in real life. But together they make each other better as people and as leaders. Of course, they have difficulty admitting this to each other – too much ego getting in the way. And they have even more difficulty realizing that there are others central to what success they have achieved, not least Jimmy, their self-effacing and under-appreciated manager (perhaps the real hero of the show?)

Maybe if they had read a few of Louise Penny’s Inspector Gamache novels they would know that they need to use more the four sentences that achieve wisdom: “I was wrong,” “I’m sorry,” “I don’t know,” and “I need help”.

But they haven’t. Indeed, not enough people have. That is one of the reasons why there is so little wisdom and empathy among those responsible for leading in today’s world. It is also one of the reasons that moral leadership increasingly falls to the protests of artists like Hannah Einbinder and Kneecap, while so many more respectable pillars of society are silent as gravestones.

All that aside, Hacks is one of the best portrayals of workplace politics since The Wire. And it’s bleeding funny. Try it.

Goodbye to All That, by Robert Graves; The Great War, by Peter Hart; Catastrophe: Europe goes to war 1914, by Max Hastings; and The Peacemakers, by Margaret Macmillan

Posted on April 30, 2025 by aidanjmcquade

Summary: Diverse, highly readable perspectives on the First World War

Like many of my generation, my introduction to the First World War was at school, studying the sublime poetry of Wilfred Owen. Owen’s writings along with others such as Siegfried Sassoon and Robert Graves, did much to promote the “lions led by donkeys” view of that war.

This is a perspective on the war that Peter Hart takes considerable exception to. A key theme of his fine narrative history of that war, similar to Hew Strachan, is that the allied generals have been unfairly maligned, made scapegoats by civilian leaders who bore more responsibility for the carnage.

The generals of the Western Front were, he argues, by and large, diligent soldiers, trying to learn the best way to fight an industrial war. This is something that their prior experiences, helping their colonial empires steal other people’s countries and butchering anyone who objected, had not properly prepared them for.

Better than Strachan, Hart illustrates well the impact of the generals’ decisions on the front line troops of all armies. He quotes extensively from the letters and diaries of the combatants to give a truer sense of their experiences, including of the vicious fighting. This makes it hard to sympathise with Hart’s broader argument that the generals were doing their best.

The industrialised trench warfare of the First World War was not quite unprecedented: the Union’s final campaign against Richmond under Grant previewed the sort of warfare that would come to define the Western Front. Grant had realised that an attritional campaign would bleed the South to such an extent that even if he lost every battle the Union would win the war.

With no extant tactics to breach the fortified lines in a way that would have meaningful strategic impact on the course of the war, the opposing sides settled into a similar war of attrition. This led to regular battles that hoped to inflict such a butcher’s bill on the other side as to make it difficult for them to continue.

Other pressures, not least that of coalition warfare, also demanded action, irrespective of how inadvisable. That is how the British came to attack fortified German positions on the Somme in 1916 – to provide some “relief” to the French under German attack at Verdun. On the first day of the Battle of the Somme the British Army suffered 57,470 casualties, including 19,240 deaths. That still does not seem to me a reasonable price for generals learning on-the-job or offering moral support to an ally.

By way of contrast, during the Second World War Matthew Ridgeway, an American Airborne general risked his entire career by refusing to lead his troops on what he believed would be a suicidal assault on Rome. This would have entailed dropping his lightly armed forces in the midst of two German heavy divisions.

I suspect most of the allied troops on the frontline of the First World War, such as Owen, Sassoon and Graves, would have happily swapped their “diligent” generals for a few with a fraction of Ridgeway’s moral courage.

Graves was almost killed in a later stage of the Somme battle. It is striking that in Goodbye to All That, his engaging account of his wartime experiences, he never describes killing anyone, though he hints that he did. The closest he comes is describing a sniping opportunity to kill a bathing German. Graves writes that he could not bring himself to press the trigger on the naked man, so he assigned the task to a subordinate instead.

Graves clearly carried the war with him for decades after. The guilt and trauma of it infuses his account of the Greek Myths, for example.

Given the horror of the war, it is understandable that we all should look for who to blame. This is among the tasks that Max Hastings undertakes in his typically gripping account of the outbreak of the war. Hastings is at pains to point out that Germany more than any other nation was the one that could have put a stop to the descent into cataclysm. Hence in Hastings’ view this is the country that should bear most of the blame. Hart has a similar perspective, noting that Germany believed that as war was inevitable the sooner it began the better it suited them.

In this Hastings and Hart offer somewhat different perspectives to Christopher Clark’s exceptional book on the same subject, The Sleepwalkers. This lays considerably more of the blame on Serbia, Britain and France’s ally. Margaret Macmillan, whose book, The War that Ended Peace, also explored the dangerous, dizzying array of alliances and egos that shepherded Europe to war. Both these accounts suggest there is plenty more blame to go around all combatant nations.

With The Peacemakers Macmillan explores the end of the war, specifically the Paris Peace conference that led to the Versailles Settlement. This established much of the contemporary political shape of Europe. Alongside the “Great Power” politics of the Conference, Macmillen’s book is also the story of how the peoples of, in particular, central and eastern Europe shook off the rule of the Great Powers whose blundering had dragged them into catastrophic war.

But the Versailles settlement also sowed the seeds of future war in Europe, by assigning all the guilt for the war to Germany. This ignored the role of, in particular, Serbia in starting things. It also ignored the fact that the Germany that came to Paris was a different country to the one at the start of the war. Not fundamentally different, of course: as German history since 1919 has shown it a country that has never quite lost its relish for atrocity. But by 1919 it had been through a democratic revolution that was economically crippled by the demand for reparations from the victorious powers. This created the political conditions for the Nazis to emerge.

In granting to Britain the Palestine mandate the Versailles Settlement also paved the way for a new settler-colonial entity there, and for the Zionist genocide of the indigenous people that, with shameless US, German and British support, continues to this day.

The First World War remains an example of, as William Faulkner once wrote, the past not even being past. Its dark legacy is a bloody one in the present for millions of defenceless human beings.

So, perhaps Wilfred Owen remains still the most vital voice on the First World War, understanding from that one war the pity of all war, and encouraging a level of empathy for the victims of war that no discussions of causality, strategy or blame ever can.

Good Leaders in Turbulent Times: How to Navigate Wild Waters at Work, by Martin Farrell

Posted on March 4, 2025 by aidanjmcquade

Summary: “Ever try. Ever fail. No matter. Try again. Fail again. Fail better.”

As a means to educate, stories are as old as humanity. And the best ones endure. That is why, for example, the wisdom of the parables of Jesus still resonates.

Philip Gourevitch, in his book “A Cold” Case, explored the importance of stories in mentorships, as a way in which leaders share their experience with the next generation of “apprentices”. That is a tradition that Martin Farrell enters with his book, “Good Leaders in Turbulent Times: How to Navigate Wild Waters at Work”.

As well as having led organisations himself, Farrell has a long background mentoring leaders: he was a particular help to me during one nightmarish phase of my career. So, he has deep understanding that even the best leaders often have to endure reversals and “the slings and arrows” of those who have never experienced the grinding responsibilities of choice-making that leadership entails.

In other words, he has heard, if not all the stories, a great many of them. He recounts these here in the intertwined stories of a group of fictional not-for-profit CEOs at various stages of their careers each enduring their own professional crises. As resources for learning they are a reminder to other leaders going through their own trials that they are not alone. Others have passed this way and endured… or at least survived. Here are some of the ways they managed to cope.

Farrell understands that beneath the latest fads and fashions, which come and go and come back again, leadership is a human process and it takes a human toll. That is a truth that is often underappreciated by new leaders when they take up their roles. More unforgivably it is too often forgotten by board members who blunder in their organizational stewardship as a result, often in ways that they are never held accountable for.

Because of this, Farrell’s book is a vital one and should be required reading for CEOs. It should also be required reading for board members, particularly those who have never been CEOs. It is book that the for-profit as well as the not-for-profit sectors can usefully learn from.

Good Leaders in Turbulent Times is an accessible, humane book, imaginatively designed and wonderfully illustrated by Steve Appleby. It is an important contribution to leadership literature.

The Adventures of Huckleberry Finn, by Mark Twain

Posted on February 27, 2025 by aidanjmcquade

Summary: Huck and Jim try to flee their woes, stalked by the malevolent figure of Tom Sawyer.

Dith Pran, the Cambodian journalist made famous by the movie, The Killing Fields, wrote that the most terrifying of the Khmer Rouge were the child soldiers. They had no sense of either mortality or conscience and would kill with no compunction and little excuse.

In his writings on Vietnam, Tim O’Brien also describes this phenomenon amongst American troops, themselves little more than children. O’Brien describes the results when they are unleashed, as the dogs of war inevitably are, on a substantially defenceless civilian population whose pleas for mercy the Americans never understand.

The literary archetype for this monstrousness is perhaps Tom Sawyer. While not the main focus of this book, his presence when he appears inevitably causes mayhem, anguish and a threat to life for any with the misfortune to cross this dangerous clown’s path.

Huckleberry Finn is one of the great novels of America. In it Huck, a free-spirited kid who has grown up in the woods, and Jim, an escaped slave, both flee to the Mississippi River to seek the freedom to pursue their different ideals of happiness.

Along the way they have comic and comic-dreadful encounters with con men, blood feuds, and slave catchers who threaten to undermine their plans. But perhaps the most sinister threat comes from Tom Sawyer, Huck’s supposed friend.

In the book Tom seems to embody not the ideal of personal freedom cherished by Huck and Jim, but another American ideal still very much at large: that of the virtue of overweening self interest. Nothing matters to Tom but his own amusement and he has no concern if the modest hopes of people he regards as lesser, particularly Jim, are torn apart in the service of his gratification.

The spirit of Tom Sawyer still pervades American politics. There is a lineal link from Tom’s ludicrous plans of piracy to Trump’s grotesque fantasies of the benefits of genocide in Gaza. Those Americans who gave repeated standing ovations to Benjamin Netanyahu when that war criminal and genocidist addressed a joint session of Congress embody the spirit of Tom Sawyer. For them too, the lives of large swathes of humanity simply do not matter.

Huckleberry Finn is a charming and very funny reflection on the American Dream. But it knows there is an American nightmare too, and it stares deep into that void left by the absence of American conscience.

Hands

Posted on February 18, 2025 by aidanjmcquade

Summary: what it says on the tin… and a foot

Pieces of the Golden Lane and Prague Castle

Posted on February 16, 2025 by aidanjmcquade

A bright cold day in February, no clocks strike

Mementos of the silver screen on Golden Lane

The Ghosts of Rome, by Joseph O’Connor

Posted on February 11, 2025 by aidanjmcquade

Summary: more Paddington 2 than Jaws 2

Sequels are a tricky thing. Some, like Margaret Atwood’s The Testaments add something to an earlier classic. More ill-judged ones, like Pat Barker’s The Women of Troy, can dent the lustre of their more accomplished predecessor, seeming to aim to cash in on a successful formula rather than say anything compelling or new.

So it was with some trepidation that I picked up the Ghosts of Rome, Joseph O’Connor’s follow up to his superb novel of European Resistance to Nazism, My Father’s House.

Time has moved on a few months from the first novel, the German occupation has become more brutal, and the pressure on the Choir – the escape line for Allied prisoners of war and Jews established by Monsignor Hugh O’Flaherty – more extreme.

The pattern that O’Connor uses for this book is similar to its prequel: It focuses on one operation, and one individual in the midst of the otherwise present and correct ensemble of the Choir, in this instance Contessa Giovanna Landini – Jo.

O’Connor admits that all of the novel, including the purported transcripts of BBC interviews, is his own invention. But many of the people involved including Jo and her Irish pals, Delia and her daughter Blon, were real. This accentuates the sense of awe regarding what these ordinary people endured and achieved in such extraordinary circumstances. And, even if we know they survived the war this does not diminish the tension.

The Ghosts of Rome is a gripping thriller. But like the best thrillers it is more than that. It explores and asserts the importance of morality and friendship in the face of monstrousness. These remain important ideals in a world in which the genocide of vulnerable people is again high on the agendas of many of the supposed liberal democracies of the West.

Standing Tall: living with motor neuron disease, by Samantha Whittaker

Posted on January 2, 2025 by aidanjmcquade

Summary: a poetry of courage

“Silence – like a Quaker meeting.”

And like a Quaker meeting, Samantha Whittaker breaks this silence with her deeply considered words. Standing Tall is her first book, a collection of her poetry. As she explains in the introduction poetry is something that she returned to writing after her diagnosis with motor neurone disease. “At 56 I was struck with this terrible disease… Nobody can understand me now… I used to chat and laugh so much… Standing tall is where you’ll find me/ When I die.”

Because of its subject matter, this is a desperately sad book. But it is also an awe-inspiring one. I have only been in the presence of true courage a couple of times in my life. This book reminded me of those times. Because in this book Whittaker unflinchingly confronts her disease and her life with it: “Reason, slobber, alive, decline/ Words that sum up…”

Standing Tall is an extraordinary book by an extraordinary woman.