The Devil That Danced on the Water, by Aminatta Forna

Summary: a masterpiece of history, journalism and memoir

The Devil That Danced on the Water is something of a hybrid book. It is in part a memoir of Aminatta Forna’s childhood. As a daughter of a Scottish mother and a Sierra Leonean father she was a bit of an outsider in both paternal and maternal societies and, perhaps therefore, a keen observer of both.

But this book is also a memoir of Aminatta’s father, Mohamed, a post-independence finance minister of Sierra Leone and a champion of sustainable development. When he managed to obtain a budget surplus, and despite being a medical doctor himself, he advised the reinvestment of the surplus into primary education rather than health as the only viable basis for his country’s future development.

Unfortunately for Sierra Leone, Forna’s Prime Minister, Siaka Stevens, had other ideas and squandered the money on patronage and corruption. Soon Mohamed was out of government but remained a focal point for democratic opposition.

Forna’s narrative is framed by an account of Mohamed’s final years following his arrest on trumped up treason charges. In describing his judicial murder by the Sierra Leonean kleptocracy, Aminatta charts the roots of the country’s appalling descent into bloody chaos in the latter part of the 20th Century.

Forna’s illustrates how, like all violence, that meted out to her father rippled across her whole family. She details her extraordinary step-mother’s struggles to take care of her and her siblings while desperately trying to also save Mohammed’s life in the face of the brutal stupidity of the Sierra Leone dictatorship. That she knew that Mohamed was being unfaithful to her at the time of his arrest never seems to have caused her to waver for a moment in either of these efforts.

Forna is an exquisite writer and a brave reporter, summoning incredible reserves of moral courage to interview many of those involved in her father’s assassination in order to gain a deeper understanding of just what happened. The story she has to tell is a deeply moving and hugely illuminating one. The Devil That Danced on the Water is, quite simply, a masterpiece.

The Ratline, by Phillipe Sands

Summary: meh!

I once attended an academic conference in which one researcher after another spent their allotted time telling the audience in exhaustive detail how they went about undertaking their research, and how interesting that was for them whether the audience shared their interest or not. Few of them mentioned anything they had actually found out.

It is a common enough story amongst inexperienced researchers: developing robust methodology can be such a challenge that it is the thing that comes to preoccupy them rather than the actual purpose of the research itself. We’ve all been there.

Phillipe Sands is not an inexperienced researcher. The Ratline is his follow up to the very fine East West Street, his hybrid family memoir/ joint biography of the originators of the legal concepts of crimes against humanity and genocide. However reading The Ratline, I did find myself, again and again, transported back to that conference, thinking to myself: But what is your actual point here?

Like East-West Street The Ratline is concerned with the atrocities of the Second World War. It has grown out of conversations that Sands had with Horst von Wachter, son of Otto, a man indicted for mass murder in 1945 but who was never captured.

Horst insisted that his father was a good man, who, in spite of his involvment with the Nazis was never implicated in murder. Further Horst reckons that his father, who died in Rome, was murdered.

All of Horst’ fanciful assertions about his father are exhaustively explored by Sands. Unsurprisingly there is no “THERE” there. What we knew at the beginning is what we know at the end: His father was directly involved in atrocity and he was not murdered.

Some reviewers have found compelling Sands’ account of his painstaking investigations to discover nothing. I didn’t. Much of it I found banal in the extreme, particularly the extensive passages quoted from the diaries of Otto’s wife, wittering on about various domestic and society concerns while her husband is out conducting affairs with other women and ensuring that the machinery of mass murder is running smoothly. I presume that Sands’ purpose in including such material is to illustrate the banality of evil. But that does not stop the material in question from being desperately boring too.

Following the war, and after 3 years on the run in the Alps, Von Wachter senior came into contact with some pro-Nazi elements in the Catholic Church. He hoped these would help him escape on to someplace such as Argentina or Namibia via the titular Ratline.

It is a historical fact that elements of the Catholic Church assisted Nazi criminals to escape justice by facilitating their flight to South America and elsewhere. Other Vatican officials, most notably Hugh O’Flaherty from Kerry, also ran one of the biggest Allied escape networks of the Second World War, but Sands does not mention this.

In any event the impression given by the book of the Ratline is less an organised right-wing conspiracy and more a few corrupt and venial individuals seeking to profit from the desperate efforts of repulsive individuals to evade justice.

Von Wachter did not progress beyond Rome along this Ratline because he could not stump up the cash to pay. Instead he whiled away his time swimming in the Tiber where he contracted the infection that killed him.

Overall then The Ratline offers some methodological insight into how Sands conducts his research, but little new on any aspect of the war, crimes against humanity or genocide that was not much more fruitfully explored in East-West Street. It is a story of the banality of evil, banally told.

Towards a new Ireland: reflections on The Treaty, by Colin Murphy, and Playing the Enemy, by John Carlin

Summary: Unity in diversity requires accommodation not triumphalism

Towards the end of Colin Murphy’s gripping play, The Treaty, there is a scene in which Griffith and Collins present to the Irish cabinet the text securing partial independence that they have managed to negotiate. The minister of defence, Cathal Brugha, berates them brutally for the compromises they have been forced to accept and for failing to meet every detail of his impossible ideal of an Irish republic. As far as Brugha is concerned Griffith and Collins are traitors bought off by the British.

As discussions regarding the constitutional arrangements for a new Ireland are developed over the next few years this scene will be played out again and again across Ireland in households and communities, on social media and in elected forums. The heirs of Cathal Brugha, the self-appointed guardians of the sacred flame of Irish republicanism, will denounce all those who propose any sort of accommodation with unionism as a means to secure Irish unity. Indeed, it’s happening already.

I recently commented on social media that, much as I like the Irish tricolour, a new Ireland might need a new flag. And, really, the only folk who should maybe be singing the Soldier’s Song these days are the national Defence Forces.

That was met with not inconsiderable fury from some folk. John Hume may have taught us that you can’t eat a flag, but Twitter teaches us that flag-shaggers are not just Brexity gammons. There are plenty in Ireland too whose communion with the patriot dead allows for no iota of compromise on their ideals of an Irish republic.

The questions of the compromises needed to obtain peace and unity led me to reread Playing the Enemy, John Carlin’s superb account of the end of apartheid. Many will be familiar with part of the story: the book, particularly its final third, provided the basis of the Clint Eastwood movie, Invictus.

Carlin’s outstanding book is much more detailed in its account of how the peaceful transition of power was achieved. It starts well before Nelson Mandela’s release from prison. There, he had decided not just to endure, but to continue to struggle. And part of this struggle involved understanding his captors. Starting first with his jailers, then with the increasingly senior officials and ministers who came to negotiate with him, then with the far Right who he engaged with to stave off the risk of civil war, Mandela sought to build trust and demonstrate to them that they had nothing to fear from a democratic future in South Africa.

Part of this process involved understanding the power of symbols. He learned Afrikaans so that he could show his oppressors respect as human beings by speaking to them in their own language. He came to appreciate the importance of rugby to the Afrikaners and the passion they felt for their anthem and the green and gold Springbok jersey.

As negotiations progressed he made sure that these symbols, which for decades had represented oppression to the black majority of the population, were retained in the new South Africa. In the course of the 1995 rugby world cup he led his whole country to embrace and share them.

Mandela understood that peace in South Africa depended not on victory for one side over another but through accommodation of all. It was his country’s incredible good fortune that they had in Mandela a person with the moral and the intellectual grandeur necessary to lead his people away from more retributive ideals to a place to where they came to share his vision of unity in diversity.

Ireland does not have a Mandela. So, achieving a new Ireland will depend on much more contentious leaders, and other ordinary people making accommodations with each other and with unpalatable symbols of the past to create a new rainbow nation in the Northern hemisphere.

It is an achievable goal. But it is something that will be threatened not just by the Protestant Supremacists of the North. It will also be put in jeopardy by the absolutist heirs of Cathal Brugha, the hard-faced men and women unreconciled to the variety of the Irish nation, and disgusted by any mention of compromises that may be necessary to achieve a unity of this diversity.

Master of the Senate, by Robert Caro

Summary: some Johnsons know how to wield power

Master of the Senate is the third volume of Robert Carol’s massive biography of Lyndon Johnson. Like the previous volumes, it is something of a history of his times as well as being a biography of Johnson.

So, Johnson is absent for large chunks of this biography as it introduces us to crusading economist Leland Olds, Hubert Humphrey, doyen of the progressive wing of the Democratic Party, Richard Russell, the leader of the Senate’s virulently racist Southern caucus, and, of course, Martin King.

Among other things this book is a study in power. It is fascinating to learn how Johnson transformed the hitherto irrelevant role of Senate majority leader into an office of incredible power.

There was little personally attractive about Lyndon Johnson. He was a bully, a serial adulterer, and a racist. But he understood power and he wanted to be president. So to obtain a viable presidential candidacy, Johnson destroyed Olds to keep his financial backers in the oil industry happy, and cosied up to Russell and his determined efforts to maintain state sanctioned terrorism against the black citizens of the United States across the South.

Caro observes in the course of this book, as he has in previous volumes, that Johnson’s life is composed of light and dark threads. However where Johnson’s instinct for compassion conflicted with his personal advancement, then his selfish interests won out.

But, in 1956 as he made his first attempt at the Democratic nomination, Johnson discovered that the support of corrupt oil interests and racist bigots was not enough. He needed support in the North as well. And Johnson revolted Liberal Democrats. So he had to do something to appeal to them. This led him to championing what became the 1957 Civil Rights Act, after first gutting it of all the substantive portions that Russell and his ghouls objected to. The negotiations and manoeuvring towards even this modest achievement provide a gripping climax to this volume, as compelling as anything in The West Wing or The Wire.

Caro argues that ultimately Johnson was by far the most important civil rights president since Lincoln. It is a remarkable aspect of his story how such an extraordinary narcissist was led towards this end from a beginning of overweening and selfish hunger for power.

William Wilberforce, by William Hague

Summary: an exceptionally fine and engrossing biography of a great humanitarian

In the sublimely brilliant film, The Ladykillers, the exquisite Katie Johnson’s character is called Mrs Wilberforce. In giving her that name the producers wanted to signal immediately to the audience that this little old lady represented the epitome of English decency and moral courage.

Her character’s namesake, William, is a rarity in British history: a hero who is celebrated not for their participation in conflict or colonialism, but for their role in a humanitarian campaign – the ending of the trans-Atlantic slave trade.

The trans-Atlantic slave trade was one of the worst crimes against humanity in history. Over the centuries the slave-trading European powers stoked wars in Africa and trafficked over 10 million human beings into brutal enslavement in the Americas, killing millions more along the way.

William Hague’s biography of this key parliamentary figure in the struggle against the slave trade is a richly detailed and elegantly written account of the man’s life. Along the way he makes some fascinating excursions into the wider history of the time, including 18th century parliamentary machinations, evangelical religious revivalism, and the dubious electoral politics of that era.

Hague is generous in his assessment of Thomas Clarkson, the towering anti-slavery campaigner, without whom Wilberforce’s parliamentary efforts would have come to nothing. Of course, Hague argues, without Wilberforce Clarkson’s campaigning would also likely have been fruitless. Instead he asserts the critical complementarity that these two brought as the cutting edge of a national movement brought into being by, more than anyone else, the Quakers.

Similar to Jenkin’s biography of Churchill, this book is enriched by Hague’s understanding of parliament and government gained over the course of his own senior political career. It is an exceptionally fine work of history and reminds the reader why the name Wilberforce remains such a resonant one.

The sunlit uplands in historical context

Summary: It’s going to get worse.

In 1974 the first power sharing government in the North of Ireland collapsed as a result of a coup d’etat against it by loyalist paramilitaries who had taken control of public utilities, including electricity. On the eve of its resignation, John Hume, a minister at the time, mused that the executive should refuse to surrender. “I’ll sit here,” he said in his government office, “until there is shit flowing up Royal Avenue [in central Belfast] and then the people will realise what these [paramilitaries] are about and then we will see who wins”. Hume’s biographer, Barry White, noted that he believed it was useful to show who were the builders and who were the destroyers.

The collapse of that Northern Ireland executive led to decades more bloodshed until a comparable deal was finally reached, for the “slow learners” of Northern Ireland politics in the 1998 Good Friday Agreement.

The spiritual heirs to the paramilitaries who destroyed that prospect of peace in the North of Ireland are now in power in the UK. The Brexit mob smashed the political economy created by the UK’s membership of the EU simply because they could. As Dominic Cummings rambling interview with Laura Kuenssberg showed, neither he nor anyone else in the Brexit elite had any sense of what they should build instead. But neither were they bothered about that. Like the Loyalist paramilitaries of 1974 their political philosophy is not much more evolved than that of the teenage vandal.

Johnson and his repellent coterie did discern however that Brexit offered them a path to political power. This, in turn would provide opportunities aplenty for pillage. In addition they could undermine democratic norms and erode rule of law to lessen the risk that they would ever be held accountable for their greed and incompetence.

Today, as in 1974, the British Labour party is proving useless in opposing the wreckers. They seem more terrified of upsetting the xenophobes than explicitly calling out the Big Lie that provides the animating philosophy of the country’s far-Right.

How this will win them power is not clear. The Tory policy of Brexit has put a sword of Damocles over the fishing and farming industries. Supermarket shelves are already emptying as Brexit buckles British supply chains. By the time the shit begins to flow in the streets, those who once voted for the whole show will wonder why Labour stayed silent rather than tell them the hard truth.

Lots of Brexit benefits for sale at my local supermarket

For centuries, the British Establishment plundered half the world with its empire, using racism to justify its many depredations. Now that same racism and xenophobia has given it a chance to convince enough of their subjects to slip the bonds that have, until now, restrained them from barefaced plunder of their own country. It is almost karmic.

In the end the English will have to rejoin Europe. The political and economic logic of the world already makes that plain to anyone who has ever taken the time to locate Calais in a school atlas. The sooner the slow learners of British politics realise that, the fewer young lives will be blighted by the pusillanimous surrender of government to the wrecking fools currently cosplaying the role of Fascist Italy from their Whitehall offices.

A Moment of War, by Laurie Lee

Summary: a haunting account of a fragment of the Spanish Civil War

A Moment of War is Laurie Lee’s memoir of his experiences of the Spanish Civil War.

His account is determinedly anti-heroic. Much of it deals with the bureaucracy of the Communist dominated forces that he is assigned to once it is accepted finally, after periods of incarceration, that he is not a spy and they did not have to shoot him after all. Ironically, he tells how he was subsequently assigned to what in the North of Ireland would have been called a “nutting squad” – a unit responsible for identifying and liquidating perceived threats, from deserters and saboteurs to little old men with lingering allegiance to the Catholic Church.

Apparently in sympathy with the anti-religious temperament of the Republican forces Lee relishes the sexual promiscuity he believes that this has bred. He describes an episodic affair with a young Spanish girl, Eulalia, who seems to represent to him a new spirit of sexual liberation in revolutionary Spain. Eulalia despite being at least five years younger than Lee calls him “very young” – perhaps what she has already lived though, like millions of women and girls before her and since, has aged her. So maybe what seemed like romantic abandon to someone as naive as Lee may have been a survival strategy for Eulalia. Lee’s English lover, presumably Lorna Wishart, a married woman with whom he was having an affair during this period, is also a recurrent, though mostly unseen, presence in the book, representing memories of humanity and normalcy away from the bleakness of war.

Towards the end of the book Lee states, almost in passing that he killed someone, blotting out the life of another young man in a confused skirmish during a hopeless battle that could have no bearing on victory or defeat in the war. Some have suggested that this is a fabricated incident, and that Lee was never actually a part of the International Brigades – assertions that Lee’s widow vehemently disputed. 

Both George Orwell and Tim O’Brien crafted elements of their experiences of war to sharpen literary effect. In The Things They Carried O’Brien is explicit about this, questioning whether a story describing how he killed a young man is a more honest accounting of his role in Vietnam than a description of his experiences in which he never personally pulls the pin on a fatal grenade.

Whatever the literal truth of Lee’s involvement in the International Brigades, A Moment of War is an atmospheric and haunting book, exquisitely written and deserved of its reputation as a modern classic.

The Shortest History of War, by Gwynne Dyer; and The War that Ended Peace, by Margaret Macmillan

Summary: War – good for nothing and may still be the thing that kills you

In The Shortest History of War, Gwynne Dyer, quotes, of course, Clauswitz’s maxim that war is the continuation of politics by other means. He does, however, conspicuously ignore that war has often been a continuation of racism by other means.

This considerable lacuna is most apparent when Dyer traces back only as far as the American Civil War the modern conception of “total war”- the making of war on the civilian populations of belligerent nations. It is true that Grant and Sherman practiced a version of this on the Confederacy. But total war has a more ancient pedigree. The sack of Troy, for example, is a story of how it was routinely practiced in ancient times.

Both Caesar and Genghis Khan also practiced versions of total war. And, while this may have gone out of fashion for a bit amongst the white nations of Europe in the 17th and 18th Centuries, it was always the way in which “Great Powers” made war on those they regarded as inferior or subject peoples: Cromwell halved the population of Ireland in his campaign in the mid-17th century. Bonaparte’s campaign in Egypt and Palestine was ferocious in its violence towards civilians. The US campaign against Native Americans was genocidal as was the British campaign against Australian Aboriginals. The British conquest of India was another racist exemplar of total war.

But it is not Paddies and brown people that Dyer is interested in here. Rather he is interested in the “Great Power” version of politics and how this has been manifested in organised violence since ancient times. Within this narrower scope it is still a fascinating book, packed full of interesting detail and disturbing conclusions. Dyer argues that only three countries fulfil the criteria to be “Great Powers” in the 21st Century: the US, India and China. Russia he argues lacks the population to contend. So it may be unsettling to learn how it will cope with its inevitable decline. Dyer doesn’t consider the possibility that the European Union may represent an alternative political model for a 21st Century “Great Power”.

More disturbingly he notes that between them Indian and Pakistan have enough weapons to unleash a “nuclear winter” upon the Earth should they ever blunder into a nuclear exchange. In other words, in the space of a few days, while the rest of the world could be preoccupied with other things, events could unfold in South Asia that would spell the end of all human civilisation .

If anyone thinks such a thing is unlikely, they would do well to consider Margaret Macmillan’s The War that Ended Peace, her painstaking survey of European “Great Power” politics at the start of the 20th Century. The complex array of alliances and egos that she describes shows how at critical moments inadequate and posturing leaders can lose control of situations that spiral out of control in the most appalling ways possible.

That some of the contemporary systems of planetary security are currently in the hands of Johnson, Modi, Khan and Putin should be of concern to all of us who like the thought of the next generation, and the one after that, living into peaceful old age with improving standards of human rights and a restored environment.

Towards that end perhaps someone could prevail upon Presidents Biden, van der Leyen and Xi to take steps not just to limit global warming, but also to promote détente leading to mutual nuclear disarmament between India and Pakistan.

What a Bloody Awful Country: Northern Ireland’s Century of Division, by Kevin Meagher

Summary: a fine and concise history of the bloody consequences of a failed state

With this book Kevin Meagher seems to have two principle objectives: to provide a concise history of the conflict in the North of Ireland, and to identify British Government culpabilities in this conflict.

He fulfils both of these things admirably. While never excusing the routine atrocities of the IRA and the Loyalist paramilitaries, or the intrinsic bigotry of wider unionism, he identifies successive points where political courage on the part of the British Government may have staunched at least some of the bloodshed.

It was the British government which deliberately created a sectarian Orange state in the North of Ireland. This led to, until recently, a parallel illiberal state in the South as the ideal of a plural Ireland, uniting “Catholic, Protestant and Dissenter under the common name of Irish”, was shattered by British policy. 

The British excuse for Partition was to avoid civil war. But that came anyway, both in the South until 1923, and, off and on, in the North for the next 80 years. 

Meagher identifies 1914 as the last year in which this protracted conflict might have been avoided, had the newly passed Home Rule Act been implemented. It is not unreasonable to imagine that this may have allowed Ireland to have had a bumpy evolution into modern statehood akin to that experienced by Canada, Australia and New Zealand. 

But that didn’t happen. Instead from 1921 onwards the British government was content to acquiesce in the establishment of a state which institutionalised a type of caste-based discrimination within the borders of the United Kingdom. Meagher shows how the use of the first-past-the-post electoral system was foundational to the gerrymandering of Northern Ireland in favour of bigoted unionism, just as FPTP is today foundational to corrupt Tory power in Britain.

Successive British governments, even under Irish-heritage Labour politicians such as Jim Callaghan and Dennis Healey, were content to let this apartheid-style system fester so long as it didn’t bother them. They were not even stirred to do something when the Catholic community in the North of Ireland, inspired by Martin King and the black civil rights movement in the United States, took to the streets to peacefully demand their most basic civil rights. 

The British government only reacted when their puppets in the Northern Ireland government embarrassed them internationally by turning civil rights protests on the streets of Derry into a re-enactment of the sort of nakedly bigoted police brutality seen earlier on the streets of Selma and across the US South. By sending in the troops the British government blundered into escalating civil unrest into civil war.

Thereafter, as the death toll mounted, British Labour and Conservative governments alike missed opportunity after opportunity to deescalate. But eventually, starting with the 1985 Anglo-Irish Agreement, a peace process began to be pieced together following John Hume’s blueprint of dealing with the “totality of relationships” – within Northern Ireland, North-South and between Britain and Ireland – within the context of common membership of the European Union. 

It was this painstaking and still fragile process that Boris Johnson – and I choose these words carefully – decided to shite over in his fevered scramble for the British premiership.

Meagher identifies a number of British politicians who made, on balance, constructive contributions to Irish peace – Whitelaw, Prior, Brooke, Mayhew, Mowlam, Major, Blair, even Thatcher, in spite of her inept handling of the 1981 hunger strikes which made her, in effect, the fairy godmother at Sinn Fein’s political rebirth. However, it is difficult to think of a politician since Lord John Russell who has been more damaging to Anglo-Irish relations than Boris Johnson. 

As Unionists try to celebrate 100 years of Northern Ireland, Meagher has commemorated this anniversary with this important book that shows why Northern Ireland has been such a disastrous political project.

And yet there are still those forlorn souls who bleat about the possibilities of a new “progressive” unionism for Northern Ireland’s second century. But, as Meagher shows, this is hardly a new idea. Terrance O’Neill as Prime Minister of Northern Ireland tried it in the 1960s and was destroyed for it. Every unionist leader since who has made even the slightest move towards equality has been dispatched. Most recently Arlene Foster was removed because she wasn’t homophobic enough, and Edwin Poots brief leadership was ended when he acquiesced in a British government move to give effect to his own party’s commitments regarding parity of esteem for the Irish language.

“Liberal unionist” is a relative term in a political ideology that is inherently reactionary. That is why unionism eats progressives raw, and always will. True progressives must instead turn their eyes to the prize of another of John Hume’s ideas: that of unity in the diversity of a New Ireland. 

As the ugly spectre of Johnson’s Blackshirt-hued politics continues to assert itself in England the prospect of a New Ireland will become ever more attractive to people of all traditions in the North of Ireland. For now, Kevin Meagher’s fine book shows why it’s time to put Northern Ireland out of our collective misery.

The Spy Who Loved, by Clare Mulley

Summary: An exceptionally fine biography of Krystyna Skarbek (aka Christine Granville) and her incredible exploits as a resistant to totalitarianism during World War 2

The Spy Who Loved is Clare Mulley’s exceptionally fine biography of Krystyna Skarbek or Christine Granville as she later styled herself. Like all great biographies it does two things: it not only gives the reader a strong sense of what their subject was like, but it also provides an powerful introduction to their times. Neither of these are trivial matters, but the former is immensely complicated by the fact that Skarbek lived so much of her life clandestinely at one point taking the opportunity to shave 7 years off her age when obtaining an official identification.

Determined to resist the tyrannies of Nazi Germany and Soviet Russia which consumed her own country, Poland, Skarbek led a remarkably dramatic life, first as a British liaison to the Polish resistance, and later as a Special Operations Executive agent in France. There she was a witness to the desperate French insurrection on the Vercors, and she played a central role in the Resistance preparations for the Allied landings in southern France. Her exploits included securing the defection of an entire German garrison on a strategic pass in the Alps, and, armed with little more than her courage and quick wits, saving a group of her colleagues from almost certain death following their capture by collaborationist police.

The title of the book, The Spy who Loved, is a deliberate reference to James Bond and the, unfortunately unlikely, story that Skarbek was the model for Vesper Lynd in Casino Royale. It also is a reference to the fact that Skarbek’s expansive sexual history was also Bondesque.

Judith Matloff, in her very fine account of the Angolan Civil War, notes how booze and promiscuity are common reactions to the experience of trauma. But, at moments, Skarbek’s choices put me in mind not of Bond, but of Phoebe Waller-Bridge’s extraordinary creation “Fleabag”, a character deeply damaged by grief and guilt, and seeking fleeting respite from the pain through sex.

Nevertheless, Skarbek’s lovers, for the most part, were lucky in her choice of them. Several had her to thank for their lives. They remained devoted to her memory and some even tried, abortively, to write her biography together.

Skarbek had a difficult time readjusting after the war. She was almost certainly suffering from post-traumatic stress disorder. But, because she was Polish and a woman, she got little support from officialdom. Unable to settle she got a job as a steward on an ocean liner where she was subject to bullying and petty harassment by others in the crew who disliked her being “foreign”, One of the few who befriended her on the liner was a man called Dennis Muldowney, who became obsessed with her and, eventually, murdered her.

It was an appallingly sad end to such a spectacular life. Clare Mulley has done Skarbek some measure of justice with this superb biography.