Summary: a peaceful facade to a bloody conflict




the most sacred Buddhist pagoda in Myanmar



Summary: a peaceful facade to a bloody conflict







In memorium – February 2024
When we were discussing the funeral arrangements the other night, our Brian said to me, “You need to say something … something from Seamus Heaney.”
So, I suppose for my Da there can only be one Heaney poem, and that is “Whatever you say, say nothing.”
It’s not just that, as our Geraldine and Eilis will tell you, his mantra through life was “tell them nothing”, a habit developed, no doubt, growing up in mid-Armagh during some of the vilest years of this statelet, “besieged within the siege,” as Heaney put it.
And, it’s not just because that poem is about the Troubles which overshadowed so many of our lives and shaped his politics.
It is more that, I think, my father’s philosophy was to let your deeds, your life, speak for itself.
We’ve gotten all sorts of very kind messages over the past couple of days from people my Da taught, telling us how much he affected their lives, how he gave them the confidence to become the people they are today.
That was his politics: it was practical non-violence. In the face of state and paramilitary atrocities his response was not to meet like with like, but to teach kids to work hard, to do their sums and become in themselves the new Ireland for which we all hope and strive.
Our father could barely speak English towards the end there. As the poem says, that voice of sanity really had grown hoarse. But it doesn’t matter now. Because we still have his life.
His deeds live on in the kids he taught and in others who teach children to read even in these bleakest of days.
And, no matter how little he would ever say about himself, or could say towards the end, those are things that truly do speak for themselves.

Summary: well, what have I been up to
About 12 months into lockdown, during the plague, I thought it would be a good idea to think about what if anything I had achieved during that period of enforced isolation. A year or so later I repeated the exercise and found it quite therapeutic. About 18 months later, I thought it was about time to have another reflect. So, what have I achieved?
Summary: city of light and shadows






Summary: not just fun and games
Perhaps we – well … men at least – are fascinated by ancient Rome because it seems so different to today’s world, a place where cruelty was often regarded as a virtue and so many human vices were given free rein, not least as entertainment: In answer to Maximus’ question to the circus audience, we are indeed entertained.

But perhaps we are fascinated by it because, paradoxically, the Romans also remind us so much of ourselves in our contemporary world: we see echoes of Nero in buffoons like Boris Johnson and Donald Trump; the genocidal campaigns of the legions in Gaul and Germany echo with the depredations of the Israeli Defence Force in Gaza, and the Russians in Ukraine; the fanaticism of Hamas has resonance with that of the Sicarii defenders of Masada.
For whatever reasons, historians of other eras must envy those who have stuck to Rome and the seemingly insatiable appetite of readers for new takes on these old stories.
Palatine, by Peter Stothard, Emperor of Rome, by Mary Beard, and Pax, by Tom Holland are amongst the most recent offerings of publishers to meet this ravening demand.
Of these three highly enjoyable books, Holland’s is perhaps the most straightforward: a narrative chronicle from the downfall of Nero in 69 AD, “the Year of the Four Emperors”, through the Flavian dynasty to Trajan. This may be subtitled “Rome’s Golden Age,” but these things are relative. For example, the campaigns by Vespasian and his son Titus against the Jewish revolt in Palestine, which led to the destruction of the Temple and the mass crucifixion of much of the civilian population of Jerusalem, are a particularly chilling example of performative cruelty in the service of mass murder.
Nevertheless, Vespasian and Titus are still remembered as “good” emperors. Which is to say they were good for Romans… in the same way as – that contemporary echo again – the British Conservative Party is “good” for rich people, and the British Labour Party wants to be “good” for some English ones.
Palatine is something of a prequel to Holland’s book. It deals with the first Roman emperors from the perspective of the courtiers of the Palatine – the hill in Rome on which the emperor dwelt and which gives its name to the word “palace”.

In particular Stothard focuses on the Vitellius family. Heard of them? Well one of them was one of the emperors whose brief reigns in 69 AD, and comic-dreadful ends, were prologue to Vespasian’s more enduring tenure.
Stothard affects a highly entertaining gossipy style for this. In doing so he gives a sense of the court’s preoccupations through the reigns of Tiberius, Caligula, Claudius and Nero. These ranged from the apparently trivial – seating, décor, banqueting, rumoured love affairs – to the sinister – the growth of Sejanus’ power, the casual cruelties of Caligula.
What all these subjects had in common were, like an ancient world Kremlinology, they indicated where power lay, who was in favour and who was out. These were questions of life and death on the Palatine. So, the creatures of court paid attention – much as today’s political correspondents claim to do to the gossip and self-serving off-the-record briefings of power-insiders.
Mary Beard covers similar ground to Stothard, but slightly differently. As with her book SPQR her subject is perhaps histography rather than history. That is, rather than delivering a simple narrative, she presents us with the evidence, discusses what it might mean, and hence what conclusions we may be able to draw.
In doing this Beard gives us intriguing factoids, such as that the first representation of the crucifixion of Jesus was in a piece of anti-Christian graffiti found in the slaves’ quarters on the Palatine. But, drawing on diverse sources, including grave inscriptions, she also gives us some more insight on the way those denizens of the Palatine once thought when contemplating their place in the pecking order and what it might mean for their life prospects.
In other words, Emperor of Rome is a fine work for anyone who wishes to develop their critical thinking skills, not just in relation to history, but in relation to life.
Rome may still offer us circuses to distract from the awfulness of the present. But we can also learn from it how to recognise the ways that power corrupts fools and the cruelty that arrogance breeds. Those will remain important skills and responsibilities for citizens for as long as human society continues to exist.
Summary: “It’s quite hard to describe really. To begin with, it’s about a toaster, but it ends up being about everything,” the Kirkdale Bookshop on Spent Light.
When, about 20 years ago, I first introduced my father to the televisual masterpiece that is The Wire, his stunned reaction to the first episode was, “I have never seen anything like that before.”

This memory came back to me, more than once, reading Lara Pawson’s extraordinary book, Spent Light, because I quite simply have never read anything like this before.
From time to time it seemed to me almost like some other things: Maybe the notebooks portions of Bruce Chatwin’s The Songlines? Or some of the (allegedly) imaginative passages in Anje Krog’s Country of My Skull? But in the end it is very much its own thing – intimate, funny, at times uncomfortable, occasionally horrific, wholly original.
It is writing that has the intensity of poetry. And so perhaps the best way to describe Spent Light is as a series of linked autobiographical prose poems, starting with a toaster but in the end being about the whole world, as the Kirkdale Bookshop put it with such brilliant concision. Along the way, Lara touches upon love, war, squirrels, atrocities, and the joys of a good broom.
I’ve known Lara since Angola where she was a journalist during that country’s brutal civil war. So, perhaps the only unsurprising thing about this book is that it is unsurprising that she wrote it. It is a work of genius. It should become recognised as a modern classic.
Summary: images of San Sebastián and Bilbao









Summary: on returning a honorary OBE
16 April 2024
Dear Prime Minister
In 2017 I was awarded an honorary OBE in recognition of my services to the eradication of slavery. I am now returning this as it is something which I can no longer, in good conscience, keep.
On 15 April 2024, your government refused to provide protections for the victims of modern slavery from your unconscionable “Rwanda scheme”. Over the past months you, as Prime Minister, have acquiesced in attacks on the European Convention on Human Rights by members of your parliamentary party. These, along with the UK’s bipartisan position on Gaza, have put into sharp focus how British policy now distinguishes between people whose lives it values, and those whose lives it disdains.
These represent a fundamental repudiation by the UK of the principles of the Universal Declaration of Human Rights. They are a rejection also of an enduring British human rights tradition stretching back to Thomas Clarkson, William Wilberforce, and Mary Wollstonecraft, and a longer tradition of rule of law that stretches back to Magna Carta.
As such they send to the whole world a message that the UK rejects the core bases of human rights and rule of law upon which progress in human dignity, including anti-slavery action has been based for hundreds of years. This can only impede the anti-slavery struggle and embolden other governments who seek to systematically abuse the rights of their subjects and citizens, including by the facilitation of their enslavement.
I hope that you will yet find it in your heart to alter course and embrace and defend these British traditions of human rights and rule of law rather than sacrifice them to some ill-judged populist crusade.
Yours faithfully
Dr Aidan McQuade

Summary: An outstanding portrait of the pity of war
Margaret Yeaman has never seen her grandchildren. She lost her sight on 15 March 1982 when a no-warning car bomb exploded close to her workplace in Banbridge, County Down, causing splintering glass to lacerate her face.
Margaret’s story, of being in the “wrong place at the wrong time” is just one amongst many that Martin Doyle explores in his book, Dirty Linen. The book also takes exception to that “wrong place, wrong time,” line. So many of the people whose stories Doyle recounts were just doing their jobs, providing for family and community, or just trying to have a bit of craic. It was the paramilitaries who were in the wrong place at the wrong time for these ordinary people.
Some will still argue that atrocities such as the ones recounted in this book were necessary to advance justice in the North of Ireland. But as Margaret and people like her tell their stories of how their families were devastated by violence, these should bring shame to that notion: as if the British government was ever going to be moved to change policy by Paddies butchering Paddies on the country roads of Ireland. It’s why they introduced “Ulsterisation” to begin with.
Dirty Linen is, in part a memoir, and Doyle gives an honest accounting of his experiences coming of age amidst such carnage, including the miserable abuse he sometimes suffered as a young Catholic in that religiously mixed part of County Down.
This book could also act as something of an introduction to the art of the North of Ireland. As literary editor of the Irish Times, Doyle is able to draw upon the work of so many writers and artists, from Seamus Heaney to F E McWilliams and Colin Davidson, to help him give voice to the depth of the human tragedy that the Troubles represented.
But, as a result of Doyle’s sensitive interviews with Margaret and people like her, his book is also an exemplary work of journalism and a deeply important contribution to understanding the history of the Troubles. It offers an unflinching portrait of the pity of war by exploring the trauma and courage of the victims of both loyalist and “republican” paramilitaries.
Some of those victims whose stories Doyle explores also became perpetrators, or at least sympathetic to the idea of revenge. But so many more refused to become as twisted as those who mutilated them and their families. Instead. they often begged for no retaliation and strove for forgiveness, or at least toleration. Theirs are stories that are so much more heroic than anything that could ever be written about the paramilitaries who pressed the triggers or planted the bombs.
If this was all that Doyle did, then the book would be a marvel. But his painstaking accumulation of detail across the book also builds a picture of the pervasiveness of collusion between British state forces and the loyalist Glenanne gang. Perhaps other writers and researchers have done similar work. But I have not read such a convincing indictment of the breadth of British collusion anywhere else. So, if you want to understand why the British government is so keen to stop Troubles era criminal investigations, read this book.
At a time when the Troubles seem to be giving rise to some exemplary non-fiction, Doyle’s book could well stand out as a classic.
Summary: in case anyone is looking for reading or gift ideas
In chronological order of reading: